Between the Han and the Tang: A Period of Disunion in China
Between the Han and the Tang: The Period of (Relative) Disunion in Chinese History By Eman M. Elshaikh What happens between “golden ages”? Although not considered “golden”, there was still a lot happening in China between the Han and Tang dynasties. 1200L
2Between the Han and the Tang: The Period of (Relative) Disunion in Chinese History - Eman M. Elshaikh After the fall of the Han dynastyHistorians often talk about certain “golden” ages. In China, the Han dynasty (206 BCE–220 CE) and the Tang dynasty (618–907 CE) are certainly candidates for “golden ages.” But what about that four-hundred- year interval in between? Even though this wasn’t a period of many long-lasting dynasties, the roughly four centuries between the Han and the Tang were still very important in Chinese history. Much of what is currently understood as Chinese culture emerged during this period, and the foundations were created for later economic and political developments.Let’s pause for a minute. What happened after the fall of the Han? After the last Han emperor was overthrown in 220 CE, the face of China began to transform. For centuries after the fall of the Han, China was ruled by many different factions, largely land-owning warlords, but there wasn’t much of a centralized government. Initially, China was split into the Three Kingdoms (220–280 CE). This lasted for several decades before it fell apart.After the Three Kingdoms, the Jin dynasty (265–420) may have lasted for quite a while, but it was not particularly effective in uniting China. After the first couple of decades, the Jin dynasty fragmented and became unstable. Despite this, many artistic and cultural achievements arose during the Jin dynasty, including one of China’s earliest legal codes and numerous construction projects, including fortifying the Great Wall.A section of the Palace Museum copy of The Admonitions of the Instructress to the Court Ladies, by the famous Jin dynasty painter Gu Kaizhi. Public domain.Visit this link to see a timeline of territorial changes during the Three Kingdoms period. During this period, many different factions controlled China, and these arrangements were very unstable. By Qiushufang, CC BY-SA 4.0.
3Between the Han and the Tang: The Period of (Relative) Disunion in Chinese History - Eman M. Elshaikh The centuries that followed the Han inspired legends of valiant warriors and stories of political intrigue. Despite the grand and exciting stories of this period, life wasn’t always easy for the average person. Constant conflict and warfare made life incredibly unpredictable and difficult. Millions lost their lives in war, and the lack of a central government made helping those in poverty and famine difficult. At the same time, hundreds of thousands, if not millions, of people moved into China. Most of these migrants were nomadic groups from territories in the north and northwest. This shift in population resulted in the decline of some urban centers while other cities prospered. But while the number of people living in China declined slightly during this period, the population remained relatively stable over the centuries.Becoming ChinesePopulation shifts during this time resulted in cultural changes that might surprise you. For instance, what does calligraphy have to do with “barbarian” invaders? Let’s start with the barbarians and come back to calligraphy in a minute. As we’ve seen in many different historical contexts, newcomers were often looked down upon and seen as uncivilized or barbaric. This was certainly the case when masses of people migrated into China from the north and northwest. As these new groups invaded and took power in the north, China seemed to split in half. Some historians even argue that there was a political separation during the period of the Northern and Southern dynasties (420–589 CE).Though this was a time of civil unrest, it was also a time of artistic and cultural flourishing. As the composition of society started to change, many people felt it was important to define what it meant to be Chinese. Though people spoke numerous dialects, it became important to have a common language. In the absence of an imperial authority uniting all of China, many traditional Chinese arts from the southern region came to represent “authentic” Chinese culture and society. This was meant to exclude the northern population. Calligraphy, painting, and poetry came to be seen as the pinnacle of Chinese culture. The belief was that refined, “civilized” Chinese people could produce beautiful calligraphy and other fine arts; northern barbarians, on the other hand, could not. These kinds of distinctions didn’t just separate Chinese from non-Chinese, but they also split people into different social groups depending on their status and wealth. Only wealthy people had the luxury of spending time on these activities.“Sunny after Snow” by Wang Xizhi. Wang Xizhi was a celebrated calligrapher, poet, and musician during the Jin dynasty. Public domain.
4Between the Han and the Tang: The Period of (Relative) Disunion in Chinese History - Eman M. Elshaikh Over time, however, some of these divisions were blurred. As populations intermarried, newcomers adopted the Chinese language and more freely exchanged culture. New cultural ideas also unified people across ethnic and economic groups. For instance, Buddhism, which had already existed in China for centuries, began to spread among both the Chinese and the nomadic groups, uniting them both under a common set of beliefs. It appealed to both the rich and the poor, and some dynasties actively supported Buddhism’s spread. During this time of instability and conflict, Buddhist teachings about suffering and impermanence resonated with people. Buddhism also influenced art, poetry, and sculpture, and we can see a distinctly Chinese Buddhist style emerging during this period.Yungang Grottoes in Datong, China. These Buddhist sculptures from the fifth and sixth centuries show the unique Chinese Buddhist aesthetic. By Marcin Białek, CC BY-SA 4.0.Women’s roles also changed as northern and southern groups mixed. Buddhism created new possibilities for women in the form of women’s monasteries, and the nomadic groups that had moved into China often had less structured gender roles. Also, in times of war, women often had to take on new roles in society. Many of the celebrated Chinese warrior heroines were from this time. From thirteen-year-old master horsewoman and archer Xun Guan to legendary warrior Hua Mulan, women in China were often admired for their contributions outside the home.A new centerAround the 580s, a nobleman named Yang Jian, later called Wendi, created a new imperial center and founded the Sui Dynasty. The Sui flourished partly because they gained the support of military leaders from the north, which allowed them to reunite many Chinese territories under one leader.
5Between the Han and the Tang: The Period of (Relative) Disunion in Chinese History - Eman M. Elshaikh The Sui consolidated this centralized power by lowering taxes, redistributing land, and making sure there were public storehouses of grain throughout the territories, ensuring that there was a stable supply of food in times of crisis. Under the Sui, a system of examinations for bureaucrats was restored, and the legal and educational systems were reformed. One of the biggest Sui achievements was the creation of a sophisticated canal network that connected many parts of the empire and included expanding and reinforcing the magnificent Grand Canal.Unfortunately, these massive construction projects required a great deal of labor, and hundreds of thousands of peasants were forced to do this back-breaking work. For one project, laborers had to dig up massive trees and transport them many miles away before replanting them in giant mounds made by other laborers. Not surprisingly, these kinds of demands on the people didn’t make the Sui leaders very popular. To make matters worse, the Sui initiated numerous unsuccessful war campaigns and didn’t maintain the strategic alliances that first helped them unify territory. As power became more concentrated in a central imperial core, social hierarchy and social unrest increased.Sui rule didn’t last very long. The empire began to decline almost as soon as it came together, and by 618, it was in shambles. Even at its height, the Sui didn’t control quite as much of China as some of their predecessors or their successors. But the Sui dynasty was significant. In fact, it laid the groundwork for the Tang to emerge and restore imperial order. The bureaucratic examinations and the canal system paved the way for a stronger state and a more prosperous economy. When the Tang dynasty began to rise, it did so from the ashes of the Sui, and it started with one of the Sui’s very own officials.A Qing dynasty painting depicting Hua Mulan. By Taipei, National Palace Museum, public domain.Emperor Wendi of Sui, who launched the project of the Grand Canal. Painting by Tang dynasty artist Yan Liben (600–673), public domain.
6Between the Han and the Tang: The Period of (Relative) Disunion in Chinese History - Eman M. Elshaikh SourcesDien, Albert E.Six Dynasties Civilization. New Haven, CT: Yale University Press, 2007.———.State and Society in Early Medieval China. Stanford, CA: Stanford University Press, 1991.“Issues and Trends in China’s Demographic History.” Asia for Educators. Accessed October 4, 2018. http://afe.easia.columbia.edu/special/china_1950_population.htmEbrey, Patricia, et al.Culture and Power in the Reconstitution of the Chinese Realm, 200–600. Cambridge, MA: Harvard University Press, 2001.Stearns, Peter N.World Civilizations: The Global Experience. New York: Pearson Longman, 2007.Swartz, Wendy, Robert FordCampany, Yang Lu, andJesseyJiun-ChyiChoo.Early Medieval China: A Sourcebook. New York: Columbia University Press, 2014.Twitchett, Denis Crispin.The Cambridge History of China. Cambridge: Cambridge University Press, 2008.Wong, Dorothy C. and GustavHeldt, eds.China and Beyond in the Mediaeval Period: Cultural Crossings and Inter-regional Connections. New Delhi: Manohar Publishers, 2014.Wright, Arthur F.The Sui Dynasty. New York: Knopf, 1978.Eman M. ElshaikhThe author of this article is Eman M. Elshaikh. She is a writer, researcher, and teacher who has taught K-12 and undergraduates in the United States and in the Middle East. She teaches writing at the University of Chicago, where she also completed her master’s in social sciences and is currently pursuing her PhD. She was previously a World History Fellow at Khan Academy, where she worked closely with the College Board to develop curriculum for AP World History.Image creditsCover: Zhang Fei on the Long Sloped Bridge Turning Away One Million Wei Troops with a Powerful Stare LACMA M.84.31.42a-c, Tsukioka Yoshitoshi, public domain. https://commons.wikimedia.org/wiki/File:Zhang_Fei_on_the_Long_Sloped_Bridge_Turning_Away_One_Million_Wei_Troops_with_a_Powerful_Stare_LACMA_M.84.31.42a-c.jpg#/media/File:Zhang_Fei_on_the_Long_Sloped_Bridge_Turning_Away_One_Million_Wei_Troops_with_a_Powerful_Stare_LACMA_M.84.31.42a-c.jpgTimeline of territorial changes during the Three Kingdoms period. During this period, many different factions controlled China, and these arrangements were very unstable. Image courtesy Wikimedia Commons.A section of the Palace Museum copy of The Admonitions of the Instructress to the Court Ladies, by the famous Jin dynasty painter Gu Kaizhi. Public domain. https://en.wikipedia.org/wiki/Gu_Kaizhi#/media/File:Admonitions_Scroll_Scene_4_(Song_copy).jpg“Sunny after Snow” by Wang Xizhi. Wang Xizhi was a celebrated calligrapher, poet, and musician during the Jin dynasty. Public domain. https://commons.wikimedia.org/wiki/File:The_Calligraphy_Model_Sunny_after_Snow_by_Wang_Xizhi.jpgYungang Grottoes in Datong, China. These Buddhist sculptures from the fifth and sixth centuries show the unique Chinese Buddhist aesthetic. By Marcin Białek, CC BY-SA 4.0. https://commons.wikimedia.org/wiki/File:Yungang2.jpg#/media/File:Yungang2.jpgA Qing dynasty painting depicting Hua Mulan. By Taipei, National Palace Museum, public domain. https://commons.wikimedia.org/wiki/Category:Hua_Mulan#/media/File:%E7%95%AB%E9%BA%97%E7%8F%A0%E8%90%83%E7%A7%80_Gathering_Gems_of_Beauty_(%E6%A2%81%E6%9C%A8%E8%98%AD)_2.jpgEmperor Wendi of Sui, who launched the project of the Grand Canal. Painting by Tang dynasty artist Yan Liben (600–673), public domain. https://commons.wikimedia.org/wiki/File:Sui_Yangdi_Tang.jpg#/media/File:Sui_Yangdi_Tang.jpg
7Between the Han and the Tang: The Period of (Relative) Disunion in Chinese History - Eman M. Elshaikh Articles leveled by Newsela have been adjusted along several dimensions of text complexity including sentence structure, vocabulary and organization. The number followed by L indicates the Lexile measure of the article. For more information on Lexile measures and how they correspond to grade levels: www.lexile.com/educators/understanding-lexile-measures/To learn more about Newsela, visit www.newsela.com/about.The Lexile® Framework for ReadingThe Lexile® Framework for Reading evaluates reading ability and text complexity on the same developmental scale. Unlike other measurement systems, the Lexile Framework determines reading ability based on actual assessments, rather than generalized age or grade levels. Recognized as the standard for matching readers with texts, tens of millions of students worldwide receive a Lexile measure that helps them find targeted readings from the more than 100 million articles, books and websites that have been measured. Lexile measures connect learners of all ages with resources at the right level of challenge and monitors their progress toward state and national proficiency standards. More information about the Lexile® Framework can be found at www.Lexile.com.